BEN GARDNER







Der Wald

While listening to an opera in an old theater, Nathaniel, who is blind, walks up onto stage to discover that he is caught between two worlds. When his eyes are open, he senses an abstract and empty space he calls The Screen. When he closes his eyes, he sees a forest conjured by the hamadryads of the opera.

Both of these places are filled with terror, though. Nathaniel can't let go of the idea that his spouse, who left him without an explanation, is present in one of the worlds. He'll do anything for the chance to see Hana again. As he negotiates being in two places he also forms a covenant with The Director, an omnipresent and malevolent entity who haunts theater stages and seems to be conducting both worlds.

Der Wald is a story built from the parable of two wolves as Nathaniel feeds the wolf of negative emotions and becomes the horror in the woods. Drawing influence from the opera Der Wald by Ethel Smith andE.T.A. Hoffmann's short story "The Sandman", this incantatory and strange novella engages the tension between good and evil to remind readers of the transience of human emotions. As Smyth described the story of her opera, "It is a short and tragic story of paradox framed in the tranquility and unendingness of nature..."


24–09–2024
Artwork and website © 2024 by Ben Gardner is licensed under CC BY 4.0
The Fragments The fragments of long periods of forgotten lineage
Lose most of their meaning when the moon is full,
The birds told


And barked into the sky, an unattractive sound coming
From throat and beak of the feathered spirit


Fragments are what we collect
String and sticks and shit you throw
On the ground
but elevated, surrounding our youth

We are just working
With what is available, some
Thing that you could not imagine